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Annually, solo and group shows feature over 250 contemporary visual artists and fine craftsmen within the Center’s three galleries: Bolton-Davis, Galerie des Amis and Stokes-Harris Galleries. The aforementioned spaces collectively feature National, Regional, Local and our very own Resident Artists, who present a cohesive presentation of their recent work, expanding audiences for the artists and the Arts Center.
Dan Anderson is currently a full-time studio artist following 32 years of teaching ceramics (1970-2002) at Southern Illinois University Edwardsville (SIUE). He now holds the rank of Professor Emeritus. Anderson received his BS degree in Art Education from the University of Wisconsin-River Falls and his MFA degree in ceramics from Cranbrook Academy of Art, Bloomfield Hills, Michigan. He is a NEA individual artist fellowship recipient plus he has been awarded six artist fellowships from the Illinois Arts Council. An avid wood firing enthusiast, he has his own anagama wood kiln at his Old Poag Road Clay & Glass studio/home in rural Edwardsville, IL. Dan was a resident artist at the Archie Bray Foundation in Helena, MT. in 1996. Dan was also an Artist Invites Artist (AIA) short-term resident at Red Lodge Clay Center in 2010, 2012 and 2014 in Montana. His ceramics are represented at: Red Lodge Clay Gallery in Red Lodge, Montana, TRAX Gallery, Berkeley, California, AKAR Gallery in Iowa City, Iowa, Gail Severn Gallery, Ketchum, Idaho, the Works Gallery in Philadelphia, Plinth Gallery in Denver, Colorado, Schaller Gallery in St. Joseph, Michigan and with the Nevica Project in Chicago. Dan’s work is in numerous private and public collections throughout the United States and internationally.
Virginia is a designer, artist, educator and lover of all things printed. Originally from Baton Rouge, Louisiana, she has been a part of the faculty in the Department of Art & Art History since January 2002. She is Professor of Art, area head for the graphic design program and served as Chair of the Department from 2012-2018. She earned her MFA in graphic design from Savannah College of Art & Design in Savannah, Georgia, where she honed her teaching skills in the classroom, and refined her design aesthetic as a freelancer.
Working with contemporary technology and historical letterpress equipment, Virginia’s approachable works on paper push the limits between fine art and graphic design by combining text with metaphorical imagery. She gathers inspiration from routine life experiences and looks for the irony in mundane situations, which are portrayed through the use of sarcasm and play on words. Symbols such as insects, toys or machines can be found to represent relatable individuals, emotions or events. The work generally combines digital and traditional printmaking processes, and often mixed media.
In 2010, she was able to merge her love of design and typography with the handmade through letterpress printing while studying at Penland School of Crafts. She brought this knowledge back to the University of Mississippi, where she has incorporated letterpress classes into the design and art curriculum.
Virginia is active in the art community and participates in national and international exhibitions. She has been awarded several grants and served as a consultant for design education in surrounding state programs. She has also been recognized for her leadership at The University of Mississippi as an SEC-ALDP Fellow, and has held AIGA chair positions in the Memphis and New Orleans chapters. She has presented her work at the Southeastern College Art Conference and various AIGA events. One of her typography assignments was published in Ilene Strizver’s, Type Rules!: The Designer’s Guide to Professional Typography. She participates in professional organizations such as SGCI, CAA, SECAC and AIGA.